Here at the Digitization Centre we are fascinated and excited by the vast amount of primary-source material that our digitization work exposes us to. Whether a document of historic significance, a beautiful illustration, or even a particularly fine typeface, we are frequently amazed by the materials we’re working to share with the world. So much so, that not only will we crowd around to ogle a particularly interesting specimen, but we’ve started decorating our workplace with copies of some of our favorites. But why stop there? Surely, we can’t be the only ones geeky enough to appreciate such “gems” in our collections, and so we’ve decided to share them here with you. Below you will find some of our favorites, hand-picked by staff from both existing and upcoming collections. We hope you enjoy them as much as we do! TIP: To view full resolution versions of the images on any size screen, click to enlarge and then right-click and select “open image in new tab.”
Posted on June 22, 2016 @10:09 am by Alexandra Kuskowski
We are pleased to announce the newest exhibition NANITCH: Early Photographs of British Columbia from the Langmann Collection. Here at Digital Initiatives the Langmann Collection is one of our most popular collections, one that we love to share!
NANITCH is on view now at the Presentation House in North Vancouver until June 26th 2016.
In the exhibition you will see the curated photos, hand-coloured albumen prints, stereocards, cartes de visite, postcards and glass negatives from the Langmann Collection. The photos on display span a sixty-year period from the 1860s to the early 1920s. They showcase the amazing transformation British Columbia when through during that time period and looks into how and why the photographs were made. The exhibition goal is to look at the “significant role of the camera in colonization and calls on viewers to question colonialist narratives of progress”.
For those of you who can not get enough of this stuff please take a look at the 7,900 images with over 5,000 postcards you can access through Open Collections in the Langmann collection.
You can explore the collection by famous photographers like Carlo Gentile, Charles Horetzky, Frederick Dally, and Charles Mac Munn. Or try scrolling through our timeline of uploaded albums for intriguing browsing.
Find out more about the Uno Langmann Family Collection of BC Photographs here. Or click any of the photos above!
Posted on June 22, 2016 @10:08 am by Alexandra Kuskowski
One of the most intriguing parts of Open Collections is the API search function. API, Application Programming Interface, is a set of defined tools that people use to communicate with a software system.
Basically this translates to asking a data program questions in computerese* – and getting back defined answers on that data that a computer (and, with practice humans) can read and use for research.
*computerese here translating to : A request URL sent over in HTTP with data/text sent back. The URL has everything needed to make a response. It’s called a RESTful approach.
What does this mean for Open Collections though?
It means, that API can help users run queries and do advanced analysis on Open Collections data. Or if you are really technically inclined you can make custom views, apps, widgets etc with full access to all the Open Collections Data.
Cool, I’ll bite. I want to see this data for myself. How do I do it?
First step asks you to Register an API key.
Step two involves using your web browser URL to make a request ( aka your questions) you can access collection metadata information (about our collections as a whole) or collection item metadata (information about items individually.
There are a few ways to do this – use UBC’s Query Builder for an easy input…
OR you can make a URL to submit an a HTTP Open query.
That’s a lot of words, but basically you use a root URL https://oc-index.library.ubc.ca/ and change it to include the collections/items you want in your query
Here we input the Uno Langamann Collection for collection metadata: https://oc-index.library.ubc.ca/collections/langmann
and this is the answer we got back:
And step 3? That’s obvious — Profit!
… well not really. However, you can read the response that comes back! See the answers we posted above as examples.
In case you are curious – check out items (if you are searching by collection items) by copy pasting the item number – with parenthesis – in Open Collections to see the item for yourself.
OR check out our International Interoperability Image Framework (IIIF) documentation on querying IFF documents which gives you access to our images programmatically
If you are interested, UBC explains the whole thing wonderfully – and in more detail – here.
Our API is pretty famous, it was even mentioned regarding Open Collections in this article.
Give our API queries a try! You never know what you might find!
Posted on May 18, 2016 @10:13 am by Alexandra Kuskowski
We’ve got another new (but actually really really old) addition to our digital collection. We’re excited to share that we have digitized a rare Latin Bible from the 13th century! You can check it out in out Western Manuscripts collection where many of our oldest books live.
This Bible is an amazing addition to our collection for a few reasons. First, it was a Student Bible made in Oxford England around 1250 AD, something that at the time was pretty remarkable. Back then most Student Bibles were produced on the continent, typically in Paris, for university pupils and professors who used them for their studies. This makes our Bible unique – and the only one like it in a Canadian collection.
A second special aspect of this Bible is the concordance at the end of the book. The concordance, pictured below, is an index created for the Bible on where to find certain words or phrases within the book.
One of the early owners created this concordance shortly after the book was finished. The concordance is obviously not part of the original book. We don’t know exactly when or who created it – and if any of you scholars out there want to try to find out, take a shot and let us know about it! We wholeheartedly support you!No Comments
Posted on May 24, 2016 @1:18 pm by Alexandra Kuskowski
Digitization of BC Sessional Papers, from 1933-1952, is on its way.
Phase 3 of Sessional Papers has been approved and digitization will start this summer! This phase will look at 41 bound volumes from the British Columbia Sessional Papers. It will increase our current collection by 19 years – and as an added bonus there will be fold out maps and charts to check out.
The Sessional Papers are important provincial legislative documents that capture the economical, historical, political, and cultural atmosphere of British Columbia history. The Sessional Papers include official committee reports, orders of the day, petitions and papers presented, records of land sales, correspondence, budgetary estimates, proclamations, maps, voters lists by district, and departmental annual reports.
Click here to visit our digital collections page to view the volumes we have digitized.
Click here to read more about what sessional papers are and how they can be utilized for research.No Comments
Posted on May 18, 2016 @10:12 am by Alexandra Kuskowski
The Royal Fisk Gold Rush Letters are collection of over 900 original manuscript letters from the Cariboo Gold Rush period, 1862-1868. Merchants in the Victoria area wrote the letters to Royal Fisk, a shipping agent in San Francisco, during the height and decline of the Cariboo Gold Rush.
To transcribe the letters – hopefully making it easier to access our content – we partner with the UBC History 305 course. Each the letter is scanned and uploaded to Open Collections the students in the History 305 decode and transcribe the scanned letter for a class project. In order to match the transcript to the letter file all of the transcripts are labeled with a code of numbers eight numbers 01-01-001 –the first four digits of the number code is used to match the file name of the letter which are labled fisk_XX_XX. The last three numbers are for the pages within the letter
Then the transcript of the letter makes its way to us at DI, where one of our coop students, Carolina, double checks the transcript of the letter matches the real thing. The transcript is put into the “Full Text” field; complete with manual line breaks input by the long-suffering Carolina. These line brakes help readers navigate the (mostly) cursive lettering. A block of text would be difficult to match to the original letter!
Both of the letters in this post were written James Alexander McCrea an upright auctioneer and merchant from Victoria. Surprisingly he was involved in not one but two murder scandals!
(You were wondering when we’d get the murder part weren’t you?)
McCrea moved to Victoria from the southern US states in the 1850’s. You can see our letters are dated in the 1860’s. In Victoria he auctioned off materials damaged in shipping such as rope or coffee. Respected in the community he was part of the fire department and a teetotaler. In 1869, after his wife’s death, he sold out his business and moved back south to the states. That is where the trouble started. In 1870 it was reported in Victoria that McCrea had been killed in Arizona or New Mexico by an Apache tribe. The rumor was revealed later to be false in the papers– there was still hope! – at least until 1881. That was when he was shot in Deming, New Mexico. He made the mistake of asking a cowboy in a saloon “Does it pop?” about his gun. How’s that for a wild west story?
If you’d like to learn more about the fascinating lives of the Victorian Gold Rush Tradesmen check out :
Green, Valerie. (2000). Upstarts and outcasts: Victoria’s not-so-proper past. Victoria, B.C: TouchWood Editions.
See if you can find anyone else in our Royal Fisk Gold Rush Letters collection who appears in this book – then let us know.
Thanks to Carolina for her help on this article!No Comments
Posted on March 4, 2016 @12:39 pm by Alexandra Kuskowski
Here at UBC it is Reading Week, which means of course most students book it to the library… kidding! Nearly every person on campus has escaped the ivory tower for greener pastures, but that doesn’t mean our faithful readers can’t take a look at our collections still. Did you know since they are digital accessible online, for everyone all over the world? Of course you did!
For our blog this week we’re going dive right into reading theme across the ages in our digital collections.
Or, if looking at people reading or books about reading isn’t your bag check out this article on the cultural production of reading and readers from UBC Theses and Dissertations – one of the many in our collection.
Of course… you don’t have to take my word for it – check out the collections for yourself by clicking on the images or searching Open Collections!
Posted on April 7, 2016 @9:56 am by Alexandra Kuskowski
Forget watching Star Wars, Avengers, and Lord of the Rings on your cellphone– if you are looking for a larger-than-life story delivered to you in a small container check out our newly digitized epic poem Orlando Furioso in Western Manuscripts. The full size of the book is only 11 by 5 cm.
This preciously small package packs a punch though! Orlando Furioso is an Italian epic poem written in 1516. With 46 cantos (or chapters) this is one of the longest poems in literature. Our version, one of the earliest, was published in 1577.
The poem follows Orlando, a singular knight involved in the war between Charlemagne’s Christians and the Saracen army that attempted to take over Europe. The setting ranges over the whole world, with a trip to Hell and the moon thrown in! As befitting any epic there are also soldiers, sorcerers, gigantic sea monsters, and even a hippogriff.
The poem focuses romantic chivalry, especially on Orlando’s love for a princess, which among other things drives him into a mad killing frenzy – romantic enough for Valentine’s day?
For us the tiny, tightly bound book was a challenge to digitize. Not only was it old, small, and fragile- the print often goes very close to the center binding, making it difficult to get a complete picture of for digitization.
However here at the Digitization Centre we are nothing if not dogged in our pursuit of world digitization. To bring this epic poem to you in a digital format we used our ATIZ machine, shifting the book cradle from side to side as we digitized. It may have taken a few tries and a long while but, and this is a direct quote from our main digitizer, Leslie Fields “all in all it was really worth it”
So check it out for your self to see what all the fuss is about!No Comments
Posted on March 4, 2016 @12:38 pm by Alexandra Kuskowski
Known as the Spring Festival the Chinese New Year is a holiday determined by the lunisolar Chinese calendar- meaning the date changes from year to year. Festivities start the day before the New Year (Feb 8th this year) and continue until the Lantern Festival – celebrated this year on February 27th.
For Vancouver this holiday is a pretty big deal! The Chinese community is as old as the city itself – and is also the third largest in North America. So you can bet there will be some celebrations going on.
Each year is characterized by an animal. This year is the Monkey – the 9th animal in the cycle.
Take a minute to check out the Chinese related material in our collections! Click on any of the images pictured here or search through the Asian Rare Books collection – filled with all sorts of interesting things census forms, literature, even wall map of China published in late Ming dynasty (between late 16th century and early 17 century) or check out the Yip Sang Collection filled with letters (translated in English and Chinese) of Yip Sang who settled in Vancouver in 1881. All these letters are currently stored at the Vancouver City Archives.
Xīnnián hǎo (New Year Goodness) to you all!No Comments
Posted on February 12, 2016 @12:16 pm by Alexandra Kuskowski
One of our most dazzling collections is the One Hundred Poets. Originating from the personal collection of Professor Joshua Mostow of the UBC Department of Asian Studies with material largely from the Edo-period (1615-1868), and currently the buzz around it is heating up.
While our metadata is pretty comprehensive – check out the information on this piece in English and Japanese!
It will not give all the background you might get from, say talking to the collection owner! That’s why you should check out Professor Mostow’s talk “Japanese Early Modern Literary Literacy and Material Culture” at the Museum of Anthropology tomorrow night (1/28/2016) from 4-5 pm. The talk will discuss in depth the digitized books (hanpon 版本), single-sheet woodblock sheets (hanga 版画) and card sets (karuta) to the public. This is an amazing chance to learn more about collection in person in depth, straight from the source.
Don’t miss out go learn about the most important collection of Japanese poetry in the literary canon!
If collection development is more your thing check out this great article written by our own Saeko Suzuki written in Japanese on the 100 Poets collection : Digitization of Japanese Pre-modern Materials. It covers extensive collections from both the UBC Open Collections and the University of WashingtonNo Comments
Posted on April 4, 2016 @9:41 am by Alexandra Kuskowski
UBC Open Collections has lots of hidden gems to discover. One of the most historically fascinating is the women of the World War I 1914-1918 British Press photograph collection. The collection images depict multi-faceted views of World War I, and were originally distributed by the British government during the war to diplomats overseas for use in official projects.
Searching “women” in this collection brings back a multitude of photos picturing women working over the war years in what traditionally were considered male jobs from farming to building, to factory work.
The women pictured in this collection are particularly fascinating. These images show a time when women were in transition.
Click on any of these pictures to see the original!
Before the war women were mainly restricted to working in textiles or in the home. After Word War 1 began the need for women workers to replace men fighting on the front was serious, and it only became more urgent after the conscription act in 1916 went into effect. The act was actually passed in January 1916- exactly a hundred years ago this month!
From 1914 only 23.6% of the female population was employed and by 1918 that had doubled to 46.7%. Women, though performing the same jobs, were paid less than men for nearly all of the war. This began to change in 1918 when women working for the London buses and trams when on an equal pay strike.
After the war the UK government endorsed the ‘equal pay for equal work.’ This of course didn’t end the of equal pay, it only began a new chapter. In the meantime, these images depict an amazing slice of life in a changing time.
Take a look at the collection by clicking on the pictures. Or search the collection yourself!No Comments